Wednesday, February 19, 2020

Professional Ethics Paper Research Example | Topics and Well Written Essays - 750 words

Professional Ethics - Research Paper Example If he decides to send him to the asylum, then he is snatching away his independence but is reducing risk that the patient can pose to himself and others. Thus, the physician has to face a conflict between what is legal and what is ethical. Personal Values and Professional Ethics †¢ The physician interacting with the patient should be honest and straightforward, and should deal with the patient in a candid fashion. †¢ The patient should also be honest with the physician. †¢ The patient’s consent should be considered before sharing, selling or disclosing his personal information. †¢ The patient’s privacy should be maintained by blocking unauthorized access to his health records and personal data. †¢ Informed Consent is about having the capable patient take part in making decisions about his healthcare and treatment process (Wear, 1992). The patient should be well informed about all the circumstances and his wishes and judgment has to be considered by the practitioner. Ethical Theories and Principles According to Rainbow (2002), â€Å"ethical theories and principles are the foundations of ethical analysis because they are the viewpoints from which guidance can be obtained along the pathway to a decision.† Ethical Principles Beneficence. ... Justice. This principle states that physicians make ethical decisions that are fair to the patient and all those who are involved in the treatment process. The decisions should be made on logical bases. Ethical Theories Deontology. This theory focuses on that physicians should stick to their responsibilities when they are facing a dilemma in making ethical decisions. This will help them to make consistent decisions while adhering to their ethical obligations. Utilitarianism. This theory helps the physician to make choices whose consequences are better for the patient. He will make a decision that will yield greatest benefit to all involved. Rights. This theory respects and protects the rights of people as enforced by the society itself. Casuist. This theory enables the physicians to make decision about an ethical dilemma by comparing it to similar dilemmas and their consequences that might have happened in the past. Virtue. This theory is about judging a person through his values and standards rather than by his actions. Application to My Current Practice My current practice as a health practitioner is providing healthcare to e-consumers. I apply all ethical theories and principles because I aim to provide beneficence to my e-patients with least harm I can inflict upon them. I respect their decisions and stick to my ethical obligations. I strictly follow the Casuist theory whenever I am in some kind of a dilemma. For example, once I had to prescribe a diabetes patient to start insulin injections but I found out that his body was too frail to bear the injections twice a day. So, I referred to previous case histories of my patients to find out a

Tuesday, February 4, 2020

The Compromise of Self and Identity within Indonesian Contemporary Art Essay

The Compromise of Self and Identity within Indonesian Contemporary Art - Essay Example The essay "The Compromise of Self and Identity within Indonesian Contemporary Art" talks about Indonesian Contemporary Art in the context of Compromise of Self and Identity. The aptitude for dialogue and ability to represent energetic reality is allowing the Indonesian contemporary artists to epitomize the most fundamental language. In addition, it has been an observation that any conceptual or artistic expression is always attenuated by a powerful, socio-political-cultural testimony. Perhaps nowhere is this disparity more strikingly seen than the swirling ideas in the exploration of self and identity, which undoubtedly fomented and regenerated repeatedly. Even so, the range of artworks conceived have become the â€Å"in-between† platform and terrain of difference that form their identity. In recent years, the social, political, and cultural reference within the formation of collective idealism has been called into question. The complexity of identity formation has reached a p oint in which so many versions of the self seem plausible. However, many artists offer a conception of both actual and conceptual self in which they coexist within cultural hybridization occurring in Indonesia. In this conception, the defining features of each self are retained and understandable to exist only in relationship to one another, like figure and ground, front stage and back stage as a single undifferentiated system of self and identity. In this regard, Indonesian artists today are capable of holding off. every explicit local or ethnic exercise while constructing new artistic or cultural traditions within their art. In specific, it is that duality of the idea of expression and ability to associate that gives way to opportunities of significant dialogue and powerful presentation of self. Unfortunately, it is observation that Indonesian contemporary art confronts misinterpretation as outsiders do not know the current situation in Indonesia, or that their knowledge on Indone sia is not up-to-date, hence, failing to understand the symbolism, perspective, and scope that the artwork entails. In short, taking consideration of not being present, the artwork becomes insignificant and loses integrity of its history. What one comprehends as the real identity of Indonesian art is in fact comes with various confrontations and misapplications, which eventually become difficult to be handled constructively. Various statements and answers on what message is actually conveyed in the artwork ultimately only succeed to reveal the fact that the art is still being questioned. Thus, one can understand why at certain times, the principals of art in this country are determined to find the ‘true identity’, while threatening all the potential establishment of ‘false identities’. The term ‘contemporary Indonesian art’—or its fractions, ‘art’ or ‘contemporary’, has never been under instant declaration. Ther efore, that term alongside with the awareness in understanding it develops gradually, and has its own contexts within the discourse. Although curator Jim Supangkat was not the pioneer of ‘contemporary art’ during the significant shift in Indonesian art; however, during that time, through his views and in supporting other artists, he was